Entertainment against alternatives

TEHRAN- On the surface, “Steal” is a crime-thriller miniseries about the “heist of the century” and financial corruption—a seemingly anti-capitalist text alert to inequality. Yet the ultimate layer of its message shores up the same war-driven capitalist order: it hides the Epstein class behind a sacrificial body and absolves that class by killing him; normalizes the war broker; caricatures the resistance’s intellectuals and defense leaders in the figure of Darren Yoshida; and leaves individual theft as the only rational horizon.